My smaller collage works consist of my analog photographs of dunes combined with my small weavings and watercolor or oil paintings that I make of women dancing. These paintings are based on photographs from the 1940's by Barbara Morgan, a photographer I admire who collaborated with Martha Graham and other dancers to create photos that, for me, embody the height of the golden age of photography. Morgan's body of work was very significant in the history of photography, she was also one of the founders of Aperture magazine; yet as a woman, her importance is often overlooked. I used the curvy, body-like dunes to signify aridity and to express an ecofeminist concept concerning how both nature and women are mistreated by the dominion of patriarchal systems. The interdisciplinary combination of weaving, painting and photography connects the work with women throughout history and cultures. Each piece is presented as a way to counter narratives of hegemonic masculinity, and the myth of separateness amidst people, disciplines of art and craft, between humans and nature.