“We are in this together”
Rosi Baridotti
My work seeks to expand our understanding of photography by connecting the medium to a
broader network of ideas including craft, ecofeminism, and embodied making. I approach
photography from a craft perspective, grounded in a deep engagement with the materiality
and tactility of the medium. Through this approach I draw attention to the photograph not
simply as an image, but as an embodied presence shaped by process, labor, and touch.
Photography has historically been framed as an objective window onto the world. My
practice questions this tradition. I believe photographers do not take pictures, they make
them. As an artist I consciously move away from the notion of photography as pure
observation of reality and instead understand every photograph as something constructed
through decisions, gestures, and material processes.
By employing a hand-made approach to image making, I challenge the historically dominant
paradigm of sharp-focused, linear photography that has often been associated with
masculine ideas of technological mastery and visual control. Instead I situate my work within
a lineage of women artists who have expanded photographic practice through
experimentation, craft traditions, and embodied processes.
My practice combines photography, film, and textile to explore ways of restoring and healing
relationships between people, the natural world, and the self. It is rooted in the history of
photography, yet over time I felt the need to expand the medium’s possibilities through tactile
weaving and a focus on materiality. Guided by science, the earth, and spirituality, my work
draws on ecofeminist ideas that consider the role of the artist as both caregiver and steward
of the natural world.
Ultimately, my work proposes photography as a space of care, tactility, and relational
thinking. Through slow processes and embodied making, it seeks to create images that
resist the speed and abstraction of contemporary technological vision while offering a more
attentive and humanistic way of seeing.